This is clearly unacceptable.Īpplying a Quick FX outline, rather than a stroke, works much better in this scenario. Setting the stroke to be outside rather than inside the object preserves the shape of each letter, but as each glyph is treated as a separate object, the strokes overlap the previous letter. You can read more about adding strokes in Affinity Designer here. This black text on a red background can be hard to read: A white stroke would lift it off the background to make it stand out.īy default, a Stroke is centered on the object, which has the result of thinning the appearance of the text. Here, Bevel, Outline, 3D and Gradient Overlay have been combined to create this brassy look. ![]() Multiple effects can be combined to create interesting combinations. If you turn on the Preserve Alpha option, the effect would only take place on interior artwork, leaving crisp edges. The ability to blur vector artwork is unusual, but this effect makes it straightforward. Since you can adjust the opacity of the effect, you could add multiple gradients at different angles if you wish by clicking the + button to add another instance of this effect. This effect adds a two-color gradient to any object or group: click the gradient thumbnail to change the colors. Unlike the Emboss effects, Inner Shadow doesn’t add a highlight but you could do that separately by adding the Inner Glow effect. The Inner Shadow effect adds a uniform shadow on the interior edges of the object. As you’d expect, it’s used to give objects a three-dimensional appearance. The 3D effect is more pronounced than a standard Emboss, and doesn’t have the shadow attached. We’ll see an important use of the Outline effect, later on. You can also apply a gradient to the outline. The Outline effect is similar to adding a Stroke to an object, with the exception that, as seen here, you can apply it to an entire group, rather than just one object at a time. You can also click and drag on the curve to customize the appearance to your taste. ![]() The same controls apply as with Pillow emboss.Ĭlicking the Profile icon will give you a selection of profiles to choose from, which apply a shape to the embossed edge. This produces just an inner rounding, but it’s also accompanied by a drop shadow on the whole object. Both the highlight and shadow colors can be changed, as well as their opacity. As with all the effects you drag the Radius slider to increase the width, and you can also You can soften the effect with its another slider. The default is Pillow, which produces a highlight/shadow combination both inside and outside the selected object. The Bevel/Emboss effect is actually several different effects, chosen from the Type menu at the top of the dialog box. ![]() If your Quick FX panel isn’t visible, choose it from the View menu. Grouped together under the Quick FX panel, they’re actually much more sophisticated than the name gives them credit for. But after opening them into Affinity Photo, I realized I may be wrong.Affinity Designer offers a range of layer effects, similar to those found in Photoshop. I didn’t hold out much hope for the Raws after viewing them on the back of the camera. I headed to this beach in South Wales with high hopes, only to be met with flat light, grey skies and relentless drizzle. Sometimes a scene might seem disappointing, only to reveal hidden delights in post.
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